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PDF Download Munich: A Novel

PDF Download Munich: A Novel

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Munich: A Novel

Munich: A Novel


Munich: A Novel


PDF Download Munich: A Novel

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Munich: A Novel

Product details

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Audible Audiobook

Listening Length: 9 hours and 38 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audio

Audible.com Release Date: January 16, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B075DL1VP3

Amazon Best Sellers Rank:

Mention Neville Chamberlain and Munich in the same breath today, and you're likely to elicit a grimace. The agreement in 1938 between the British Prime Minister and Adolf Hitler to dismember Czechoslovakia is regarded as one of the most shameful and tragic events of the 20th century. But is it fair to condemn Chamberlain without understanding his motivation or the context of the times? The British thriller author Robert Harris has been exploring that question for thirty years. The result is his new novel, Munich. The book is not an alternative history like his popular novel, Fatherland. It's fact-based historical fiction.Why did Neville Chamberlain go to Munich?As Harris paints the picture, Chamberlain's actions in 1938 were not just understandable but possibly admirable. He was not naive about Hitler's intentions. His rush to sign the pact with Nazi Germany responded to almost universal desire to avoid war, the difficulty of refuting Hitler's logic about absorbing the Sudetenland Germans into the Reich, and Chamberlain's passionate desire to avoid repeating the slaughter of World War I. (He had been too old to serve in the military then.)Harris based his novel on extensive reading about the Munich conference and the principal characters involved in it, which he details in a long bibliography in his Acknowledgements. Moreover, recent research suggests that if Britain and France had gone to war against Germany in 1938, the result would have been devastating. It's true that the Nazi invasion of France and the Low Countries in May 1940 and the Battle of Britain that followed were disastrous for the Allies. However, the nearly two-year delay Chamberlain achieved at Munich allowed Britain to equip and staff the Royal Air Force just enough to stave off a German invasion of the island in September 1940. Harris implies that Chamberlain was fully conscious that war would come. He sought only to gain time.An historical novel wrapped in a thrillerHarris builds his story around two central characters, one English, the other German. Hugh Legat is the most junior of Neville Chamberlain's three Private Secretaries; he serves essentially as a gofer but is pressed into service at times as an interpreter and, even more rarely, as a wordsmith. Paul von Hartmann holds a similarly junior post in the German Foreign Ministry; he despises the Nazis and has joined a conspiracy to depose Hitler. The two young men had been classmates and friends at Oxford. They'd last seen each other in 1932 on a vacation in Germany.Von Hartmann has secured a document that proves Hitler's intention to expand Germany's borders through war regardless of any international agreements. With the help of his collaborators in the anti-Nazi conspiracy, he travels from Berlin to Munich in hopes of delivering the document directly to Neville Chamberlain. Through their connections in London, the conspirators have contrived to arrange for Legat to be assigned to attend the conference, too. Von Hartmann expected Legat to help him get to Chamberlain. Harris builds a suspenseful story around the effort to arrange that.Historical figures in a fictional settingLegat and von Hartmann are both fictional characters. However, many of the other figures portrayed in Munich are based on real men. Prominent among them are British Foreign Secretary Lord Halifax and German Foreign Minister Joachim von Ribbentrop, as well as Chamberlain, Hitler, Mussolini, and French Premier Daladier. The author's portrayal of these historical figures is solidly grounded in his research.About the authorRobert Harris is one of the most successful writers in the world today. Most of his work is historical fiction about World War II and Ancient Rome. Beginning with Fatherland in 1992, his novels also include The Ghost (adapted to film as The Ghost Writer) and the three novels in the Cicero trilogy.

The events of Munich are well-known, and I DID enjoy the presentation of the much maligned British PM's point of view as he desperately looked for peace. But I agree with other reviewers...an appendix listing all the characters would have been helpful. There was too much description as to stairways and cloakrooms and bathrooms (!!!) that was unnecessarily detailed and confusing. The main characters were cardboard cutouts.I like Harris's earlier books about Germany..."Fatherland" and "Enigma" stand out as terrific reads.This reads like a fictionalized docu drama...not fiction. The main characters' STORIES should have been in the forefront, with Munich in the background. It played out the other way, to the detriment of the book.

We go behind the scenes at the Munich Conference of 1938. Hitler and Chamberlain share the stage with fictional characters. The author tantalises us with possibilities and a few twists, making for a solid political thriller.The story is presented as it might be in a play. Act One begins in Whitehall, the second scene takes us to Wilhelmstrasse ; in Munich we move between the Fuhrerbau and the Regina Palast Hotel. The cast is balanced between the British team – all decent chaps – and the Nazi leadership. Robert Harris seeks to rehabilitate Chamberlain - loving husband, passionate about peace and a tough negotiator.Into the main event, the author works the lesser known Oster conspiracy. This is where the two narrators come into play. Hugh Legat works in Downing Street, Paul von Hartmann has a post in the German Foreign Office. They knew each other at Oxford, of course! They are fictional but are credible types, if being provided with somewhat cliched backstories.I found some of the dialogue clunky, which rendered the conspiracy unconvincing. The book would be improved by a map of the different settings, as the action involves much to and froing: corridors and galleries crisscrossed, stairs ascended and descended, corners turned left then right. This reader frequently got lost. Further an appendix of participants in Munich would have helped – just who was who at the conference.Does it add anything to the vast literature on this subject? I don’t think so. Would it not be rather fitting to look at more recent episodes in peace/war diplomacy? Perhaps, but appeasement remains enduringly popular.Despite these reservations, and some flaws, I found it an enjoyable and easy read.

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